Conversations with Wilder PDF/EPUB Ì Conversations

Conversations with Wilder This is one of the best books I ve ever read about filmmaking and filmmakers It s so obvious Cameron Crowe writer and director of Almost Famous, Say Anything, and manyloves and respects Billy Wilder that comes through throughout this collection of interviews. Tuesdays with Billy This book is a casually fascinating glimpse of two filmmakers in dialogue, with the younger visiting the retired elder to study and celebrate his life and work Cameron Crowe was contemplating an autobiographical film at the time of these interviews, which became Almost Famous And Billy Wilder was retired, with afternoon physical therapy sessions to keep the blood flowing followed by evening martinis Crowe revisits every Wilder film to capture the thoughts of its filmmaker Tuesdays with Billy This book is a casually fascinating glimpse of two filmmakers in dialogue, with the younger visiting the retired elder to study and celebrate his life and work Cameron Crowe was contemplating an autobiographical film at the time of these interviews, which became Almost Famous And Billy Wilder was retired, with afternoon physical therapy sessions to keep the blood flowing followed by evening martinis Crowe revisits every Wilder film to capture the thoughts of its Conversations With Billy Wilder, Billy Wilder 1906 , Cameron Crowe 1380 480 9649225765 9789649225760 Conversations With Billy Wilder, Billy Wilder 1906 , Cameron Crowe 1380 480 9649225765 9789649225760 This is a marvelous book Crowe was the perfect person to do this book, as he has years of experience as a journalist and as a writer director of film He was able to ask some tough questions of Wilder as a journalist, but also had huge insights into the rea Wonderful conversation with a great filmmaker Took a while to read because I kept putting the book down so I could watch some of the films some for the first time, some for the nth This is the man behind The Apartment, Double Indemnity, Witness for the Prosecution, Stalag 17, Sunset Blvd., Some Like It Hot andI think Sabrina is his worst film I ve seen and others consider that a classic if his worst is a classic, the others must be pretty good Nice to have Crowe as the interviewer a Wonderful conversation with a great filmmaker Took a while to read because I kept putting the book down so I could watch some of the films some for the first time, some for the nth This is the man behind The Apartment, Double Indemnity, Witness for the Prosecution, Stal This book isn t perfect, Wilder comes off as something of an asshole sometimes when he decides to talk shit about the likes of Humphrey Bogart, James Cagney, Fred McMurray, and Steven Spielberg Of course if every asshole could create something like The Apartment which is possibly the loveliest movie ever made I d find assholes in general alottolerable And Crowe misses some real opportunities by missing some juicy questions Come on did you really think Wilder wouldn t have a good Klaus This book isn t perfect, Wilder comes off as something of an asshole sometimes when he decides to talk shit about the likes of Humphrey Bogart, James Cagney, Fred McMurray, and Steven Spielberg Of course if every asshole could create something like The Apartment which is possibly the loveliest movie ever made I d find assholes in general alottolerable And Crowe misses some real opportunities by missing some juicy questions C Wilder is one of my top ten favorite directors, and this book essentially let me spent the afternoon in his company, hearing his opinions onthings than I would have ever thought to ask myself The structure of the book William Holden, Marilyn Monroe, Jack Lemmon, Walter Matthau, Sunset Boulevard,Some Like it Hot, Double Indemnity you know you love them all Why not spend a couple evenings in the company of Billy Wilder and Cameron Crowe listening to great conversations about old Hollywood Heavily illust To compare this book to Hitchcock Truffaut or Bogdanovich interviewing Welles is absurd Wilder is intermittently interesting, but Cameron Crowe is an insuffurable jackassfascinated in showing how much Wilder likes him than in actually asking any good questions.Mostly this is a book of gossip about movie stars It feels like a third of the book is spent talking about Marilyn Monroe The biggest problem is that Wilder doesn t have an interest in analyzing his films He warms up to Crowe eve To compare this book to Hitchcock Truffaut or Bogdanovich interviewing Welles is absurd Wilder is intermittently interesting, but Cameron Crowe is an insuffurable jackassfascinated in showing how much Wilder likes him than in actually asking any good questions.Mostly this is a book of gossip about movie stars It feels like a third of the book is spent talking about Marilyn Monroe The biggest problem is that Wilder doesn t have an interest in analyzing his films He warms up to Crowe eventually, and clearly likes the idea that people might want to read what he has to say, so he s happy to answer questions and talk, but he s just not personally interested in covering any of this material Mostly we re left with ancient Hollywood gossip.And we re left with plenty of Crowe trying to convince Wilder that the attitude expressed in his films must be related to a single, powerful event from his childho In Conversations With Wilder, Hollywood S Legendary And Famously Elusive Director Billy Wilder Agrees For The First Time To Talk Extensively About His Life And WorkHere, In An Extraordinary Book With ThanBlack And White Photographs Including Film Posters, Stills, Grabs, And Never Before Seen Pictures From Wilder S Own Collection The Ninety Three Year Old Icon Talks To Cameron Crowe, One Of Today S Best Known Writer Directors, About Thirty Years At The Very Heart Of Hollywood, And About Screenwriting And Camera Work, Set Design And Stars, His Peers And Their Movies, The Studio System And Films Today In His Distinct Voice We Hear Wilder S Inside View On His Collaborations With Such Stars As Barbara Stanwyck, Gary Cooper, Marilyn Monroe, Jack Lemmon, Tony Curtis, William Holden, Audrey Hepburn, And Greta Garbo He Was A Writer At MGM During The Making Of Ninotchka Here Are Wilder S Sharp And Funny Behind The Scenes Stories About The Making Of A Foreign Affair, Double Indemnity, Sunset Boulevard, Love In The Afternoon, Some Like It Hot, The Apartment, And Ace In The Hole, Among Many Others Wilder Is Ever Mysterious, But Crowe Gets Him To Speak Candidly On Stanwyck She Knew The Script, Everybody S Lines, Never A Fault, Never A Mistake On Cary Grant I Had Cary Grant In Mind For Four Of My Pictures Slipped Through My Net Every Time On The Lubitsch Touch It Was The Elegant Use Of The Super Joke Wilder Also Remembers His Early Years In Vienna, Working As A Journalist In Berlin, Rooming With Peter Lorre At The Chateau Marmont Always With The Same Dry Wit, Tough Minded Romanticism, And Elegance That Are The Hallmarks Of Wilder S Films This Book Is A Classic Of Hollywood History And Lore


About the Author: Cameron Crowe

Cameron Bruce Crowe is an Academy Award winning American writer and film director Before moving into the film industry, Crowe was contributing editor at Rolling Stone magazine, for which he still frequently writes.Crowe has made his mark with character driven, personal films that have been generally hailed as refreshingly original and void of cynicism Michael Walker in the New York Times called Cameron Bruce Crowe is an Academy Award winning American writer and film director Before moving into the film industry, Crowe was contributing editor at Rolling Stone magazine, for which he still frequently writes.Crowe has made his mark with character driven, personal films that have been generally hailed as refreshingly original and void of cynicism Michael Walker in the New York Times called Crowe something of a cinematic spokesman for the post baby boom generation because his first few films focused on that specific age group, first as high schoolers and then as young adults making their way in the world.Crowe s debut screenwriting effort, Fast Times at Ridgemont High, grew out of a novel he wrote while posing for one year undercover as a student at Clairemont High School in San Diego, California, USA Later, he wrote and directed onehigh school saga, Say Anything, and then Singles, a story of Seattle twentysomethings that was woven together by a soundtrack centering on that city s burgeoning grunge music scene Crowe landed his biggest hit, though, with the feel good Jerry Maguire After this, he was given a green light to go ahead with a pet project, the autobiographical effort Almost Famous Centering on a teenage music journalist on tour with an up and coming band, it gave insight to his life as a 15 year old writer for Rolling Stone Also, in late 1999, Crowe released his second book, Conversations with Billy Wilder, a question and answer session with the legendary director


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